The Music of the Universe

Music is vibrations that are in harmony with each other. Vibrations are frequencies and permeate the entire Universe. Nikola Tesla make this quote that is very relevant to this subject, "If you want to find the secrets of the universe, think in terms of energy, frequency and vibration." If all matter is energy then of course all matter has vibrations. What Nikola Tesla was saying is similar to the quotes mentioned on the page The Axis of the Universe that said that science only dealt with the circumference of the circle and not with the center of it, which is where the real discoveries lie.

In the near death experience book called Embrace by the Light, by Betty J. Eddie, there was an interesting section that said this, "I entered the vastness of space and learned that it is not a void; it was full of love and light – the tangible presence of the Spirit of God. I heard a soft, pleasant sound, a distant but comforting sound that made me happy. It was a tone, similar to a note of music, but was universal and seemed to fill all the space around me. It was followed by another tone at a differ­ent pitch, and soon I noticed something of a melody – a vast, cosmic song that soothed and comforted me. The tones produced soft vibrations, and as they touched me I knew that they possessed the power to heal. I knew that anything touched by these tones would receive the effects of their healing; they were like spiritual salve, expressions of love that mended broken spirits. I learned from the escorts traveling with me that not all musical tones are healing – that some can create within us negative emotional responses. I understood now that while I was on earth, Satan had used these negative tones in music which actually produced illness in my mind and body."

 

Jesus Christ is called The Word and that is a good example that words and their vibrations are a very powerful creative force in the Universe. The Word develops a lot more meaning considering what Nikola Tesla said. It was explained on the page called The Hermetica that there is a hidden image of a king in The Great Pyramid and the position of the empty tomb is in the position of the mouth. This represents that resurrection from the tomb is The Word just like Jesus Christ.

The book called The Hermetica, chapter 1, also calls God The Word, "I am the light you saw, mind, your god," he said, "who existed before the watery nature that appeared out of darkness. The lightgiving word who comes from mind is the son of god." 

 

[6] "This is what you must know: that in you which sees and hears is the word of the lord, but your mind is god the father; they are not divided from one another for their union is life."

 

 

[16] And after this: "..., o my mind. I love the word also."

 

In the Book of Genesis God created the world by saying let there be this and that and it was done. That is what The Word does. It is a creative vibration that permeates throughout the Universe and creates and moves everything while it is in a state of rest. 

There's a part in the Book of Revelation that says, "And I heard a sound from heaven like the roar of rushing waters and like a loud peal of thunder. The sound I heard was like that of harpists playing their harps. And they sang a new song before the throne and before the four living creatures and the elders. No one could learn the song except the 144,000 who had been redeemed from the earth." This particular passage seems to be saying that there is a sound that operates on an ethereal level that only the most spiritually attuned can hear.

Magick spells are verbal formulas spoken out into the ether to achieve particular results and chants and mantras are a similar concept. There's a reason they are used world wide and that is because they are powerful. They reprogram the mind, through vibration, to direct energie and frequencies in ways that help the practitioner. 

This passage in a Gnostic book called Allogens makes an interesting statement, "the power appeared by means of an activity that is at rest and silent, although it uttered a sound." That's a contradiction unless the silence is the sound that is heard when all the noise of this world is turned off. That is the purpose of silence and stillness in meditation.  

The most famous mantra sound is Om. This is a description of it from Wikipedia, "The syllable Om is first mentioned in the Upanishads, the mystical texts associated with the Vedanta philosophy. It has variously been associated with concepts of "cosmic sound" or "mystical syllable" or "affirmation to something divine", or as symbolism for abstract spiritual concepts in the Upanishads. In the Aranyaka and the Brahmana layers of Vedic texts, the syllable is so widespread and linked to knowledge, that it stands for the "whole of Veda". The etymological foundations of Om are repeatedly discussed in the oldest layers of the Vedantic texts (the early Upanishads). The Aitareya Brahmana of Rig Veda, in section 5.32, for example suggests that the three phonetic components of Om (pronounced AUM) correspond to the three stages of cosmic creation, and when it is read or said, it celebrates the creative powers of the universe. The Brahmana layer of Vedic texts equate Om with Bhur-bhuvah-Svah, the latter symbolizing "the whole Veda". They offer various shades of meaning to Om, such as it being "the universe beyond the sun", or that which is "mysterious and inexhaustible", or "the infinite language, the infinite knowledge", or "essence of breath, life, everything that exists", or that "with which one is liberated". Basically Om is the sound of the Universe and consequently, the sound of God and the individual. This is the power, like the Vril energy, that heals and gives people power if they can tap into it. This energy and vibration is tapped into through meditation and other spiritual practices.

 

The Universe and everything in it is in a permanent celestial dance and the vibrations that every celestial object makes is like their musical instrument. This is the harmony of nature, but as explained on Flying Saucer Philosophy machines that are based on explosions, such as internal combustion engines and rockets are about disharmony. A jet flying overhead is the least harmonious experience and this is what so much of "advanced" civilisation is based on. Violence is disharmony of the natural forces. The insistence of relying on technology that is based on disharmony and violence is holding everyone back as Nikola Tesla said. The modern world and all its disharmonious, artificial noise, is blocking out the harmonious, natural and universal noise and it is holding Mankind back as well.

A dance is movement that is in harmony with vibrations. Standard jets, rockets and internal combustion engines are not in harmony with the natural vibrations surrounding them and they distort them in unnatural ways. They essentially go against these vibrations and over come them at great expense in terms of money and resources. 

Scott Cunningham, in his book called Wicca, page 50, said that musical instruments are comparable to one of the four elements and when each individual instrument, or element, is combined, they produce the music. Music is an imitation of the sounds of nature and they are about producing a harmonious, natural flow that people like. Contrast that with jets, rockets and internal combustion engines. Drums and all percussion instruments are ruled by the Earth, all wind instruments are ruled by air, all stringed instruments are ruled by fire and all resonant metal instruments are ruled by water. The fifth element is the harmonious combination of them all. This is the main instrument that is made up of all other instruments, but it is silent. It is the center upon which all the other sounds of the instruments revolve around. It is in a state of rest, as in it doesn't produce any vibrations, yet its purpose drives the rest of the instruments to produce a state of harmony with it. 

 

When it comes to the Universe all the vibrations are separated from the source, which is silent and at rest, but the vibrations move around the source as a much larger vibration that contains all, but is not heard by itself. 

 

Think of a cyclone, or the Black Holes at the center of galaxies, the closer to the center an object gets, the faster it spins, until it reaches the center and goes into a state of rest. The vibrations get shorter and shorter, on an instrument, until they go silent. But in reality it is an illusion that the vibrations have gone silent and have disappeared. A vibration is a cycle. The smaller the string, the higher the vibration and the larger the string, the lower the vibration. Whether the vibrations are low or high, the never separate from the source, no matter to what extreme they go. There's still a straight line in that vibration cycle, even though it may look like the opposite. In a singularity, there is a state of no time, no speed and no distance, even though there is time, speed and distance everywhere outside of it, but that singularity covers it all, just like the straight lines of the vibration covers all the wavy lines of the cycles no matter what size they are.  

 

Desmond Leslie in the book Flying Saucers Have Landed wrote at length about sound, or frequency, is used to operate spaceships and other advanced technology.

This is what he wrote starting on page 74 in the chapter Saucers For a Song, "No matter how many Vimanas come to light from hindu. Brahmin, Sanskrit and Pali literature,
the secret of the power that moved them silently or musically, or with a mighty roar, is still
denied us. Where can we search for a force that will carry a great aerial construction
immense distances and to vast heights, without the use of fuel ?


Whoever heard of getting something for nothing—of power without loss or expenditure ?
Until a few months ago such a thought was against all the known laws of energy and its
conservation, and any physicist would have told you politely and firmly that it was impossible,
just as an eminent Professor once told Edison, when treated to an actual demonstration of
the first talking machine. The learned Professor was deeply offended and insisted that Edison
was employing some kind of ventriloquist’s deceit, for everyone knew that sound could not be
conserved—certainly not in little wax cylinders. The Professor was proved wrong, and his
spiritual heirs are now undergoing the same salutary experience since they have got into the
higher realms of nuclear physics, where certain work—particularly that concerned with the
hydrogen bomb—entails the actual ‘creation’ of matter from energy. The laws concerning the
conservation of energy are now undergoing a substantial modification, but it will probably not
be until about 1986 before their full significance is understood.


But oddly enough, this mysterious Force made a brief reappearance in New York, of all
places, during the 1890s. Overlooked in all the bustle and bustle with which Progress is
progressing on its way, a lonely inventor named John Worrell Keely, of Philadelphia, Pa.,
rediscovered this lost power and gave it the name ‘Dynaspheric Force.’


Keely’s experiments aroused considerable interest at the time, and the wealthy Barnato
Brothers sent their representative, Ricardo Seaver, across the Atlantic to investigate his work.
This was long before anyone had produced a television set, discovered cosmic rays, or
thought about conditions existing above the then current ‘Fourth State of Matter’.


Keely stated that, while investigating the magnetic forces flowing between the Earth’s two
poles, he had discovered that ‘corpuscles of matter could be divided by vibration’ 42 and that
he could apply this principle to drive a motor. For his demonstration to Seaver, Keely stood at
one end of his New York laboratory; the motor was mounted at the other. Then he played a
certain note on a violin, whereupon the 25-h.p. motor began to turn, gaining speed until it
practically jumped its mountings. It ran at this high speed during which time the inventor did
nothing more. Eventually, to stop it, he again took the violin and played a discord, whereupon
the Force seemed to be withdrawn and the motor came to a stop. The surprised visitor was
then invited to try to start the machine himself using the same violin. At first he was
unsuccessful, but when Keely touched him he was able to start and stop the engine.


42/ Notice the similar idea behind Keely’s word ‘corpuscles of matter could be divided
by vibration‘ and the modern discoveries that atoms can be smashed by ultra-high
frequencies. We are dealing with a lower order of energy but the new concept is in
accord with Keely’s postulation.


Why should this be ? From the surviving Keely papers we read concerning a later motor: ’ At
one time the shareholders of the Keely Motor Company put a man in his workshop for the
express purpose of discovering his secret. After six months of close watching, he said to
J. W. Keely one day: "I know how it is done now." They had been setting the machine up
together and Keely had been manipulating the stop-cock which turned the force on and off.
"Try it then," was the answer. The man turned the cock and nothing happened.


‘“Let me see you do it again," the man said to Keely. The latter complied, and the machinery
operated at once. Again the other tried, but without success. Then Keely put his hand on his
shoulder and told him to try once more. He did so with the result of an instantaneous
production of current.’


We see then, that in order to produce the required vibration Keely’s personal vibration was
needed. The one problem which he never succeeded in solving was to produce a machine
which would operate without the personal ‘vibration‘ or ‘will-power’ of the operator.
Commenting on this, the author of The Secret Doctrine says:


‘It is just because Keely’s discovery would lead to knowledge of one of the most occult
secrets, a secret which can never be allowed to fall into the hands of the masses, that failure
to push his discovery to its logical conclusions seems certain to Occultists... the results
obtained from the fifth and sixth planes of the Etheric or Astral Force will never be permitted
to serve for purposes of commerce and traffic.’ The Secret Doctrine goes on to confirm what
I had already-guessed—an easy guess:


‘If the question is asked why Mr. Keely was not allowed to pass a certain limit, the answer is
easy; it was because what he had discovered was the terrible sidereal Force known to, and
named by, the Atlanteans Mash-Mak and by the Aryan Rishis in their Astra Vidya by a name
that we do not care to give. It is the Vril of Bulwer Lytton’s Coming Race and of the coming
races of our mankind. The name Vril may be a fiction; the Force itself is a fact, since it is
mentioned in all the secret books.’ 43


43/ The Secret Doctrine, Vol. II, Adyar Edition.


It is this vibratory Force which, when aimed at an army from an Agniratha (Firechariot) fixed
on a flying vessel, according to the instructions found in the Astra Vidya, would reduce to
ashes a hundred thousand men and elements as easily as it would a dead rat.


‘It is allegorised in the Vishnu Purana, in the Ramayana and other works, in the fables about
the sage Kapila whose " glance made a mountain of ashes of King Sagara’s 60,000 sons",
and which is explained in the Esoteric Works, and referred to as the " Kapilaksha "—Kapila’s
Eye. And is it this Satanic Force which, once in the hands of some modern Attila, would in a
few days reduce Europe to its primitive chaotic state, with no man left alive to tell the tale—is
it this Force which is to become the common property of all men alike ?’ 43


43/ The Secret Doctrine, Vol. II, Adyar Edition.


The answer to this question, asked about eighty years ago, seems to be ‘Yes‘: but before we
are all reduced to ashes, let us take a look at Keely’s next experiment. He made a model
metal airship weighing about 81b. and attached it to a thin platinum wire. The other end of the
wire was joined to his ‘sympathetic transformer’ and again applied the mysterious sonic
principle. By this he was able to make the airship rise in the air, hover, descend and move
about at will.


Now compare—12 August, 1950. The scene is the little mountain village of Campello, near
the St. Gotthard Pass in Switzerland. Many people, including a professor of physics, reported
eighty to a hundred flying saucers passing overhead. ‘As they passed they made a noise like
an organ,’ said the professor. Others described it as the sound of a tremendous chord of
music —’ a celestial symphony.’


‘Melodious sound as it coursed along its airy way.’


And on 22 May 1947 clusters of flying saucers shot across Denmark at tree-top height
making a deep, tuneful, humming sound—like huge bees or ‘like vacuum cleaners’, said a
mechanically-minded Dane. 44


‘A vimana can be moved by tunes and rythms.’—Samar.


‘By music alone, some were propelled.’—Book of Oahspe.


‘People did not walk up and down stairs in the very old days,’ say the legends of the
Carribes. ‘They hit a plate and made a song and the song said where they wanted to go—
and so they went...’


‘Anybody could dance in the air like leaves in a storm. Everything was so light.’ 44


44/ At this juncture, Professor A. C. B. Lovell, of Manchester University, springs to
Menzel’s defence (The Listener, 2 July, 1953), pointing out that meteors sometimes
make a drumming or buzzing noise at the point of fall. Possibly they do; but the subject
in question happens to be not drumming or buzzing meteors but musically inclined flying
saucers. Not one of these noisy saucers has fallen to the ground even though in some
cases it has passed within a few feet of witnesses’ housetops (see Chapter 10), nor
have meteors been found within hundreds of miles after such occurrences.


With a little encouragement I may be able to help Professor Lovell prove that London
buses are only ionised pockets of air reflecting through temperature inversions the red
neon signs of Piccadilly Circus, for which 1 should doubtless receive an Emeritus Chair.
According to the folk-lore of Galway, Ireland, on the opposite side of the Atlantic: ‘In the old
days everybody danced in the air like leaves in the autumn wind... people made a song to a
plate.’ And from St. Vincent Island in the West Indies comes this legend: ‘The wise people of
old could fly quite easily. They had no wings. They clapped on gold plates, made music on
them and flew.’ 45


45/ Wilkins, Secret Cities of South America.


Among the gifts which Montezuma, the last Aztec Emperor, gave to Cortez (who nobly
rewarded him with torture and death) were two large flat gold disks about the size of
gramophone records. These were said to be emblems of royalty and were intended for King
Charles V of Spain and his Queen. The King’s disk was about a quarter of an inch thick; the
Queen’s was much thinner. Montezuma knew what the disks were for, but it seems that
Cortez looked upon them as very clumsy and heavy things to wear, and it is doubtful if they
ever reached Spain, for they are not listed in any of the treasure ships’ inventories. These
disks were cut to a size and thickness exactly corresponding to the size of the person for
whom they were intended. They had to be of the correct size so as to suit the wavelengths of
his personal vibrations. Thus the owner alone could use them.


Keely’s machine only worked when he was present and consciously directing his vibrations
towards them.


Evidently the Spanish King never received, or never tried out his flying disks; had he done so
there would surely be a minute in the most holy records of the Inquisition lamenting the fact
that: ‘His Majesty, on striking a vile heathen cymbal, was seized by Satan and cast up into
the air.’


Where is the connection with flying saucers ? I do not yet know. I see only many fragments
divided by time and space, yet strangely alike. It is as if a jigsaw has been scattered over a
field. There is no immediate connection, and yet there is a unity to all the pieces.


The Aztec disks were carefully measured to fit their user. Could the great secret of scientific
levitation have been preserved up to the sixteenth century as the royal prerogative af the
Incas ? Is it still preserved ? Somewhere, secretly, handed down from generation to
generation under fearful vows lest it fall into the hands of the white destroyer ?


The car celestial uttered a melodious humming sound. Built by a people more civilised than
the Aztecs, it might have utilised an extension of the same principle. Perhaps in its ‘two
stories and many chambers ‘it contained multiple batteries of disks or a single huge resonant
plate which, when harmonised to the vibrations of the pilot, would raise not just a single man,
but the whole great machine.


What about the dark and light metals that fell on Maurv Island ?


Take another look at Keely’s engine. He struck a note and the engine ran until stopped by a
discord He struck another, and a model airship rose from the ground. Whether sound was
used to give Elliott’s ‘Ethenc Force‘ its first impulse or whether it was a mental radiation from
the pilot, the idea is the same—a vibration. Sonic and mental waves are both vibrations. Just
as the soundless waves entering a radio produce a physical sound in a lower plane and
octave.


The science of harmonics and their application as a source of power was well understood
until disaster overtook civilization and the great mother country sank into an abyss of
destruction, spreading her surviving children to Brazil, Yucatan and Peru on one side, and to
Egypt, India and Chaldea on the other.


The Drona Parva gives a beautiful, though veiled, description of how sound tuned to the will
of the operators provided the motive power of the Cukra vimana, one of the greatest ever
built:


‘We shall build a vimana of great power. The MIND became the ground which supported that
vimana. SPEECH became the tracks on which it was to proceed. All speeches and sciences
were gathered together within it, all hymns, and the Vedic Sound v ASH AT also. And the
syllable OM placed before that car made it exceedingly beautiful. When it set out, its roar filled
all points of the compass.’


This needs a little analysis. Mental power, harmonised to certain magnetic forces, provided
the lift. Graduated harmonics guided it on the desired path. The whole of the ancient
sciences as known at the time had been employed to produce this masterpiece of celestial
navigation. The Vedic ‘Word of Power’ Vashat is used to indicate and emphasise the use of
harmonics. The Hindu ‘Word of Power’ OM (the Fifth Syllable of the ‘Ineffable Name’) is also
given to show how perfectly the whole project was attuned to the natural cosmic forces that
‘made it exceedingly beautiful’.


I have other records on my files of flying saucers that produced a strange musical note,
described by observers as unlike any sound they had ever heard. For example:


At 5.50 p.m. on 27 September 1952 George H. Williamson, D.sc, of Prescott, Arizona, heard
and saw a colossal saucer pass over his house with a noise he described as different and
more powerful than a jet, musical, rather like a huge swarm of bees.


The colossal forces latent in properly regulated vibrations have long been suspected by
modern science, and I believe I am right in saying that amazing discoveries have recently
been made along those lines which may soon completely revolutionise our world—for better
or for worse.


But what happened to Keely ?


His invention was in advance of the time. He died, poverty-stricken and broken-hearted; in
disillusion he destroyed his models and most of his papers. Only a few pamphlets published
by his patron, Mrs Bloomfield-Moore, remain to prove that he or ‘dynaspheric force‘ ever
made a brief reappearance on this planet. 46


46/ I believe that this Force, or something very similar, was discovered again by Lester
Henderson, of Pittsburg. Pa., in 1928, who produced a motor said to derive its energy
purely from the Earth’s magnetic field. Henderson made a small model, powerful
enough to light two 110-volt lamps. Such an outrageous flouting of Orthodox
Proprietaries brought swift retribution in the form of Herr Doktor Hochstetter (principal of
a research laboratory of the same name in Pittsburg), who went to pains to expose
Henderson as a wicked, irreverent fraud. The Herr Doktor—’ so that pure science might
shine forth untarnished ‘—went to the expense of hiring a lecture platform from whence
to denounce Henderson and all his works, by demonstrating an exact model of the
motor which, as was to be expected, failed to work. Hochstetter fumed that some years
earlier Henderson had hidden a tiny battery in the motor. Quite how this was supposed
to have run two 110-volt lamps, he didn’t say. Henderson admitted the battery as being
a ‘blind‘ to lead inquisitive snoopers off the scent before he had patented his process.
The good Doktor also failed to notice that Henderson at the time was in hospital
recovering from a 2,000-volt shock which had suddenly blasted out of his motor during a
demonstration. But. as is usually the way with these things, Hochstetter succeeded with
his public damnation, and Henderson, discouraged, faded into obscurity.


Meanwhile we struggle bravely with almost insurmountable problems of building a rocket
large enough to contain fuel with a sufficient exhaust velocity to lift a machine out of the
Earth’s gravity. Tons and tons of expensive fuel which blows out at seven miles per second
would be required, and millions of pounds would have to be spent on research and
complicated equipment: and all so that some other unfortunate planet may enjoy the
blessings of earthly ways and earthly politics; may become a bone of contention, a kind of
Cosmic Korea to be fought over by the two opposing halves of our ant heap.


How funny if, all along, the answer could have been bought literally ‘for a song'."

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